Angel - Season 2 Review

US Airdate on the WB: September 26^th 2000 – May 22^nd 2001

Second helpings have never been so prepared as not only does the Angel Investigations crew expand with vigilante Gunn and fey demon Lorne but enemies swell in their numbers as Wolfram And Hart and Darla make it their business to tip Angel over the edge with deadly consequences for his friends.

Daddy’s Home – Passing the tricky stage of overcoming a first season and wooing viewers to hold on, Season Two is a real tester for not only the characters but viewers also had a lot of getting used to as well. As the Sunnydale experts tackled a Hell God during this point, Angel’s second year opened with the gang working in Cordelia’s apartment, cluttering up the place and making a balls of protecting a pregnant woman with a mythical child. Said woman would then be known to audiences as Vanessa Diaz on Six Feet Under in the same year as the season aired but debut episode “Judgement”, while not as intriguing Buffy driving Dracula out of Sunnydale but you have to like it for the brief appearance of Faith, Darla in co-hoots with Lindsey and Lilah and the introduction of Andy Hallett’s loveable if underused demon Lorne (although for the most of this season, we call him The Host).

The gang are more or less back too with Wesley still a goof with a tougher veneer and Cordelia as delightfully sarcastic and helpful as usual. In between getting office digs with the luxurious Hyperion Hotel in “Are You Now Or Have You Ever Been” and new recruit Gunn forming a bond with Cordy in the surprisingly good “First Impressions”, the biggest draw this season is Darla. Wolfram And Hart brought the lady back from the dead and it doesn’t take a genius to realise her purpose is to mess with Angel anyway.

At this point I should apologise for not noticing Julie Benz’s strengths as an actress because while repeated viewings of Buffy’s first season did address that problem of mine, this season really blew my mind on this woman’s abilities. Benz is anything but a newcomer to this genre as the likes of Roswell allude to but damn, the woman and Darla are captivating, you feel the urge to fast forward through other stuff to watch her in action.

Darla got staked by the only thing she’s ever loved and being resurrected as a human adds to the wonderful psychological warfare the former prostitute inflicts. When Angel isn’t sleeping more and dreaming of her, then Darla is making sure she’s spotted in public as classic instalments such as “Untouched” and “Dear Boy” show us and as Cordelia is quick to add, Angelus and Darla are the vampiric equivalent to Bonnie And Clyde.

Getting the relentlessly boring “Guise Will Be Guise” out of the way (although yay for Wesley finally getting some on-screen action), Darla’s arc is dramatically increased as her mental state takes a turn for the worst and her and Angelus’ most defining moments are unfolded in the unforgettable “Darla”, which even surpassed the quality of the Buffy crossover episode “Fool For Love”. Let’s face it, after watching these set of episodes, a part of you will ever wonder why you were ever so interested in Angel’s romance with Buffy. Angelus and Darla may have been dark and dastardly but the chemistry between David Boreanaz and Julie Benz is off the rector scale.

Sadly though there’s another clunky episode with “The Shroud Of Rahmon”, which while it shows the extent of embittered Kate’s mistrust of Angel and even Gunn’s, you simply won’t care because if it isn’t Angel and Darla, you just don’t want to know.

Of course the disappointment of said episode leads to three instalments of undeniable genius. Through “The Trial”, “Reunion” and “Redefinition”, the show’s writing taking a defining route as Angel’s attempts of doing good by finding a cure for a human Darla result in failure and Drusilla siring the notorious vampire once again. As team ups go, Darla and Drusilla are a force to be reckoned with and Wolfram And Hart pay the ultimate price when Angel allows his former girls to slaughter them good and proper. Bye Holland and watch out Lindsey/Lilah! However the resolute nihilism in Angel also results in all of his gang being fired and Darla and Drusilla getting roasted for their sins. He ain’t Angel, he ain’t Angelus but he’s damn scary and he’s certainly disillusioned.

Unfortunately this is where the season hits something of a dramatic slump as separate from his team, the gang are barely able to cope without him and Angel looks pretty close to breaking point. “Blood Money” is a monotonous episode with an update from Lily, now Anne from Buffy’s second and third seasons who’s now running a homeless shelter as Angel upstages a rivalling Lindsey and Lilah and the gang set up Angel Investigations without their “angel”.

Similarly uninteresting is time slowing “Happy Anniversary” even if it does have a dream team of Angel and Lorne as they stop a random loser from ending the world because his unhappy girlfriend plans to dump while “The Thin Dead Line” shows a bit more get up and go, thanks to the wonderful teams of Wesley/Gunn and Angel/Kate and the funny way of showing corrupt cops at work (something which co-writer Shawn Ryan explored further when he created The Shield for FX).

After these less engaging episodes, the season hits an ultimate high with a stunning two parter “Reprise” and “Epiphany”, two episodes that really ying/yang Angel’s zenith and nadir as Wolfram And Hart plan one of their Senior Partners arrivals, the gang are placed in danger of nasty demons with their spawn growing in the back of people’s head, a disturbing suicide attempt from Kate (following her very much alive exit from the series). The best bits however is the violent angry sex between Angel and Darla (big repercussions in Season Three for that one), Angel and Lindsey duking it out and the gang back together as a whole. It’s nice that the tension of Angel’s abandonment of the gang isn’t something the writers skim over as Cordelia is quick to mention Angel giving away her stuff and Wesley quick to assert the leadership position Angel has entrusted him with.

“Disharmony” saw the return of former Sunnydale irritant Harmony who goes to show that leopards really can’t change their spots (couldn’t we have gotten more of Willow in this episode? I’d like to have seen more of Cordy’s reaction to her former friend being a lesbian) while the horrible “Dead End” sees the exit of a disheartened Lindsey and the rise in power for Lilah, someone who hasn’t been shy this season showing her more ruthless streak, whether it’s goading psychic girls or entrapping Lindsey, either way Stephanie Romanov is more interesting in her second run and although Lindsey’s desire for Darla made me care for him more, Christian Kane deserved a far better parting episode that this wretched drek.

The final four episodes after that show so much meandering decision to form an arc and sadly it isn’t one involving Darla but when Lorne’s cousin Landok arrives in “Belonging” and Cordelia goes through a portal, we’re introduced to the not so humble world of Pylea. “Over The Rainbow” saw Cordy being enslaved while sheepish fellow captive Winifred “Fred” Burkle warned her of the dangers. Let’s just say that Lorne is justified in his personal hatred of his birthplace. Imagine being in a world where there’s no music, the people are real savages and humans are literal second class citizens. Okay you don’t have to jump dimension as that can kind of happen in real life but you get the gist. Angel, Lorne, Gunn and Wesley’s attempts to save Cordy are not without their problems or surprises.

Surprise Number 1 being the upgrade of status Cordy gets in “Through The Looking Glass” as her visions give her the rights of regal stature. It’s not so great for everyone else as while Cordy got to meet the handsome and kind hearted Groosalugg, Lorne gets a gagging order from his people, misery from his family as well as his head chopped off for effect as Angel makes enemies by saving Fred’s life and Wesley and Gunn are intrigued by three books that spell Wolfram And Hart.

The season finale while not a brilliant way of ending the season has it’s moments of greatness. “There’s No Place Like Plrtz Glrb” not only shows the current teams as a fantastic unit while welcoming Fred into the mix but the end as Willow is forced to inform the gang of Buffy’s death is heartbreaking and Alyson Hannigan doesn’t even get dialogue in her brief scene.

A collection of some highs, a few stinkers, one or two genuine shockers and an ambivalent final episode, Season Two certainly kept your brain working and although not my favourite season, it still affirms my love for the show.

DVD EXTRAS: Disc 1 has a pretty informative commentary for “Are You Now Or Have You Ever Been” by the genius that is Tim Minear while Disc 2 has a script for “Darla”. Disc 3 delivers some real goods with interesting features like “Making Up The Monsters” and “Inside The Agency” as well as some set blueprints and stills. Disc 5 is another script one, this time for “Disharmony” while Disc 6 has a commentary on the so-so “Over The Rainbow” by director Fred Keller, a feature on “Stunts”, cast biographies, a trailer for Season One on DVD as well as a genuinely engaging “Season Two Overview”. More commentaries on better episodes that the two selected wouldn’t have gone amiss.

EPISODE RATING FROM 1 TO 10:

2x01: Judgement = 8/10, 2x02: Are You Now Or Have You Ever Been = 7/10,
2x03: First Impressions = 7/10, 2x04: Untouched = 9/10,
2x05: Dear Boy = 8/10, 2x06: Guise Will Be Guise = 6/10,
2x07: Darla = 10/10, 2x08: The Shroud Of Rahmon = 5/10,
2x09: The Trial = 9/10, 2x10: Reunion = 10/10,
2x11: Redefinition = 8/10, 2x12: Blood Money = 5/10,
2x13: Happy Anniversary = 6/10, 2x14: The Thin Dead Line = 6/10,
2x15: Reprise = 10/10, 2x16: Epiphany = 9/10,
2x17: Disharmony = 7/10, 2x18: Dead End = 4/10,
2x19: Belonging = 6/10, 2x20: Over The Rainbow = 6/10,
2x21: Through The Looking Glass = 8/10, 2x22: There’s No Place Like Plrtz Glrb =8/10.

Season Two is currently available on both VHS and DVD.

My Review of Doctor Who's: "Survival"

Written by Rona Munro
Directed by Alan Wareing

The Master: “Why, Doctor! What an unexpected pleasure.”

1989 saw a good few things happening. Well I was four years old and Michael Keaton made an amazing impression in Batman but on a serious note, after 26 seasons it was also the time that Doctor Who itself was coming to an end.

It’s often hard to muster a direct feeling to the show’s ending. On one hand, this series could’ve well gone into the 1990’s but given that most shows in the sci-fi and fantasy genre are lucky to run for a third of what Doctor Who ran for, was ending it really the worst thing ever?

On paper this might not smack of an epic series finale to end all finales but the more I’ve watched this serial, the most enjoyable it’s become and there is senses of closure in certain parts throughout the story as well as The Doctor and The Master have one of their better confrontations.

Ace and The Doctor come back to Perivale purely because the girl wants to catch up with her mates. Given that the previous two serials “Ghost Light” and “The Curse Of Fenric” went out of their way to flesh Ace out as a character, it makes perfect sense to bring trouble to her own location.

When it comes to Ace (and also going by the sleeve for this serial’s DVD release), she really does feel like a precursor to Rose Tyler. In this serial even more so than ever. While her return isn’t met with people assuming she was dead, there are a string of conflicting emotions that Ace goes through.

On one hand she actually doesn’t like Perivale. She finds it rather boring and given that I often feel the same way she does about my own home town, I can relate to her during those moments. That being said, the Perivale we see also has some trouble involving felines. Well The Doctor does seem to get into trouble with this lot.

A lot of Ace’s friends have gone missing in recent times and instead of giving her a straight answer, the rather annoying Sergeant Paterson spends his time lecturing the girl on not contacting her mum. Needless to say, this bothers Ace for a good time afterwards but The Doctor’s too distracted.

There might be many things The Doctor’s ever had to face but clearly boredom was never one of them. He realises that there is a black cat acting oddly and proceeds to try and track him down. During that he also manages to annoy Ace’s misanthropic friend Ange as well as some store owners.

To be fair The Doctor probably should’ve stuck with his Girl Friday. Ace manages to attract the cat and then a Cheetah person on horseback before being taken to the Cheetah planet itself. The Doctor also winds up there along with Paterson, whose penchant for sticking his nose in really grates.

In a serial with a decent enough array of guest characters, it’s only Paterson that truly annoys me. Ace meanwhile manages to find her friends Midge and Shreela as well as a newcomer called Derek. The four of them have conflicting ideas of how to deal with the Cheetah people though. Ace wants to fight them, the rest prefer to hide. Both sides raise good points for their arguments.

The Doctor meanwhile realises that The Master is also on the Cheetah planet. It’s actually nice for a change that the writers didn’t try to hide his return. We knew within the first ten minutes of the episode that he was here as he used the black cat to spy on The Doctor.

However because of Paterson generally being in the way, The Doctor has to save him from getting eaten before reuniting with Ace. The next course of action is for the newly assembled team to try and get to a safe place away from the Cheetahs. That goes awry as soon as everyone including Ace starts fighting them.

As for The Master, it seems his motives are a lot less grand here than you’d expect. He’s not after destruction for once – he simply wants to get out of there. Being trapped on the Cheetah planet means that he’s slowly becoming one of them and while his mind is strong to resist, he’s beginning to falter.

It’s interesting to see him and The Doctor have a fairly civilised conversation. With the planet on the brink of destruction and The Doctor unwilling to help him, The Master preys on Midge to get his back to Earth. Seeing Midge becoming affected wasn’t much of a surprise though.

Ace becoming affected on the other hand was. Hearing her describe to The Doctor her feelings of running forever when Karra wasn’t trying to seduce her with the thrills of a good kill made for some great moments. Sophie Aldred consistently gets to shine in this serial and Ace is also used to get the remaining people out of their.

The Master’s plan to use Midge as a means for killing The Doctor wasn’t his best. Still at Paterson met a grisly end and there was something genuinely nasty in the way The Master was able to easily kill both Midge and Karra in the final segment. It’s good to have solid reminders of how genuinely menacing The Master is as often you can forget what callousness he’s capable of.

However for me, the best scene is between him and The Doctor. The Master has never lacked in trying to kill The Doctor but predictably enough he’s always failed in doing it. When the two of them go at it on the Cheetah planet, it’s the first time in perhaps a long while that the stakes really feel high.

For all his loathing of The Doctor, it was The Master who lured him to Cheetah planet and to be fair, these two have always had a ‘can’t live with/without him’ dynamic. It’s pretty much left uncertain of whether or not The Master got out of Cheetah world but given that in “The Movie”, he’s arrested by Daleks the lookout for escape is good.

The final scene between The Doctor and Ace is also pretty poignant. She was convinced that the motorcycle debacle had him killed and there’s something great about the way the writers didn’t over egg their reunion. No instead The Doctor and Ace simply walked away and talked about further travels. It’s quite sweet actually.

Also in “Survival”

It’s interesting that the first episode of Doctor Who was a four parter and this one was a three parter. They did mix it up in the last few seasons.

The Doctor: “So what’s so terrible about Perivale?”
Ace: “Nothing ever happens here.”

I just spotted Emmerdale actress Adele Silva as Squeak. A lot of actors/writers from that show have worked in various mediums of Doctor Who.

The Doctor: “What happens when the lion comes out?”
Shopkeeper: “What lion?”
The Doctor: “Better get your running shoes on.”

Ace: “People don’t just vanish.”
Ange: “You did.”
Ace: “That was different.”

Originally if this show had gotten another season, Ace would’ve left halfway through it and we’d have gotten a cat burglar for a companion.

Ace: “Nothing’s invincible.”
Midge: “That’s right, Ace. You tell us. You sort them out.”

Ace (re The Master): “Do you know any nice people? Ordinary people. Not power crazed nutters trying to take over the galaxy.”
The Doctor: “I don’t think he’s trying to take over the galaxy.”

In a twisted way, you almost wonder if The Doctor wasn’t so resistant to helping The Master in distress, would it actually change The Master in some ways?

The Doctor: “Why did you bring me here?”
The Master: “I need your help.”

Ace: “I thought cats hated water.”
Karra: “I’m not a cat, I’m Karra. I’m your sister.”
Ace: “No I’m not. Why do you keep calling me that?”

Karra is played by Lisa Bowerman who will go on to play novel and audio companion Bernice Summerfield.

Karra: “When I’m hungry, I hunt. When I hunt, I eat.”
Ace: “Would you eat me?”

The Master: “You are my hunting dog, Midge. You’re my teeth for my trap. Trust me, Midge. Trust me.”
Midge: “Yes. Trust me Midge.”

Some of the original titles for this serial were “Cat Flap” and “Blood Hunt” but I think “Survival” is a better title.

Karra: “I can run into the dark. Run forever.”
Ace: “Just wait. I’ll get you something.”
Karra: “Good hunting sister.”

The Master: “It seems we must always meet again.”
The Doctor: “Well they do say opposites attract.”

Judging by that line and some stuff from “The Mark Of The Rani”, no wonder Russell T. Davies had absolutely no problems with playing with the homoerotic tension between The Doctor and The Master in “Utopia”, “The Sound Of Drums” and “Last Of The Time Lords”.

The Doctor: “There are worlds out there where the sky is burning, where the sea is asleep and the rivers dream. People made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, and somewhere else the tea is getting cold. Come on, Ace, we've got work to do.”

This was released on DVD in April 2007 with some excellent extras including a fan commentary as well as one from Sylvester McCoy and Sophie Aldred. The “Endgame” featurette is a must see too.

“Survival” may not be the kind of serial you would expect a long running series like Doctor Who to end with but as series finales go, I actually like this a little more than other shows who know in advance that they are about to end and still don’t produce anything satisfying. Bringing back The Master is a good way to end it and the Cheetah plot overall works for me. Plus in terms of DVD releases, the extras really do go all out.

Rating: 9 out of 10.

Angel - Season 1 Review

US Airdate on the WB: October 5^th 1999 – May 23^rd 2000

Leaving both Buffy and Sunnydale behind him, vampire with a soul Angel heads for solitude in the busy city of L.A, only to find a purpose with former friend Cordelia Chase, vision afflicted Doyle and eventual help from ex-watcher Wesley Wyndham Price. The downside of this also include a relentlessly evil law firm called Wolfram And Hart and the resurrection of an old flame.

Bright Lights, Big City, More Demons – As clichéd as the phrase “you can’t run from your problems” is, it’s been constantly proved that there is an element of truth behind that popular saying. Spending three years in Sunnydale has seen Angel do good and terrible deeds in equal measures and after having the sense to finally end his relationship with Buffy, our favourite vampire made the right move to put as much distance between him and the Slayer as humanly possibly but because we knew that Joss Whedon had no intention of Angel just sitting on his ass and chewing up the LA scenery, I found it hard to buy Angel’s protests that he wants to left alone in a city so filled with people and all forms of life.

Then again neither did charming jack the lad half demon Doyle, thus beginning the season premiere “City Of” where the demon with visions of people in distress tried to appeal to the brooding vampire, along with the powers that be, that Angel could really atone for the bad he’s done as Angelus by doing more good in LA. In a way Doyle reminds me of Whistler and he and Angel make an unlikely but interesting duo as they track young women being murdered by vampire millionaire Russell Winters. The premiere is made even better when former Sunnydale resident and aspiring actress Cordelia Chase pops in the City Of Angels and Angel has to rescue her from the nasty Winters.

Then again, Russell is easy to deal with as Angel pops into law firm Wolfram And Hart and throws the vampire out of a window without thinking about it. In the space of one episode Angel has already made a powerful enemy in the evil law firm and their charismatic lawyer Lindsey McDonald, played by the delightful Christian Kane but on the plus side, along with Doyle and Cordelia, Angel also has his own detective agency and with these two as your back-up, you’re in pretty good hands.

Unlike even the first season of Buffy, the great majority of this entire spends more time on personal arcs as opposed to big bad ones. Yes, there are a few episodes where Wolfram And Hart make their presence more than felt but the grand majority of the episode, it’s mainly minor villains or a few people from Angel’s past but for the most part, the first nine episodes go out of their way to establish the relationships between Angel, Cordelia and Doyle and like a good people, I found this to be the season’s biggest and best strength.

Cordelia and Doyle enjoy their fair share of bickering and unrequited lust for each other (well mainly Doyle) in light hearted instalments like “Lonely Hearts” (where a sex demon invades) and “I Fall To Pieces” (where a stalker can disassemble his own body parts) but the inevitable Buffy crossover start with the third instalment “In The Dark” where Oz appears to help and Spike appears to be a pain in Angel’s backside (preparing us for Season Five then).

The light hearted antics also pop up in “Room With A View” as Cordelia deals with a ghost set out to stop from moving into an apartment and “Sense And Sensitivity” where abrasive cop Kate is reduced to a basket case. All these episodes while average at best are important for characterisation as it’s great for Cordelia to call herself out on her previously callous behaviour and even the somewhat annoying Kate is sympathetic enough when her Daddy issues are brought to light. Doyle gets a mediocre episode with his ex-wife and a lame eating ritual in “The Bachelor Party” before the season hits its first standout episode.

Surprisingly as someone who liked Buffy and Angel as a couple but wasn’t devastated when they broke up, the shipper tastic “I Will Remember You” where Angel briefly experienced mortality and a chance to be with the woman he loves even got me nearly at it but the first death of a team member when Doyle bravely sacrificed himself to save a clan of demons in the powerful “Hero” is jaw dropping stuff. With the death of a character that had a direct link to TPTB, was Angel royally screwed in his mission to help the helpless?

Thankfully that would turn out to be “no” on both counts as “Parting Gifts” saw Cordelia inheriting Doyle’s visions (note to self – don’t kiss half-demons) and to keep the terrific trio alive, we got reinforcement with Wesley Wyndham Price, a man who couldn’t fight his way out of a paper bag and whose general uselessness got him fired from the Watchers Council. Wesley is a little hard to take in initial episodes as he mostly seems to be whaled on (“Somnambulist”, “Expecting”) or taken as bait (“She”) but by episode 14 “I’ve Got You Under My Skin” when issues of his parents, abilities as a former watcher and his established friendship with Angel are challenged, you find yourself liking him more and more and Cordelia’s neat array of sarcastic one liners in regarding to Wesley’s manliness raise a chuckle every now and again. Baddies during these particular range from lowlifes like empathy Barney trying to flog Cordy on the black market, a killer vampire sired by Angel, a disgusting beast who gets men to impregnate women with it’s spawn and a powerful female named Jhiera who wants equality for her female raise along with a possessed and ultimately soulless young boy named Ryan, so yeah, as viewers we’re pretty much kept on our toes.

Along with establishing Wesley in the group without ultimately erasing Doyle’s existence, another person we focus on in the latter half is policewoman Kate. Initially, you’re dreading a romance between her and Angel but by the time she discovers he’s a vampire and can’t get past that, and then you can breathe a sigh of relief. No romance here, in fact, Kate and Angel can barely stand one another after that bombshell and the fact that vampires kill her disapproving father in the excellent showcase “The Prodigal”. This episode excels for Elisabeth Rohm’s performance but mainly for the first appearance of Julie Benz’s lethal Darla in flashback as Angelus is sired and slaughters his own family with complete and utter glee.

The next two episodes, while not short on eventful stuff aren’t quite as good. “The Ring” may reintroduce Wolfram And Hart and debut Stephanie Romanov’s ruthless Lilah Morgan (a character who gets more interesting in later seasons) but the central premise of demons fighting it out for survival just plain suck and even the drugged return of Angelus in “Eternity” isn’t as interesting, although Cordy and Wesley’s own feelings on their boss returning to his former certainly is.

The season hits an all time with the mind blowing two parter “Five By Five” and “Sanctuary” as fresh from body jacking in Sunnydale, Faith’s two episode stay in LA is unmissable. Allying herself with Lindsey and Lilah at W&H, Faith wastes no time in trying to kill Angel, kidnapping and torturing Wesley but the saga takes a reversal when Faith decides she wants to redeem herself and Angel and company, including a royally pissed off Buffy and the ever insufferable Watcher Council think otherwise. Powerful, raw, packed with flashbacks and cementing Wesley’s likeability, these are two episodes you could watch on a loop. Similarly we get a wonderful introduction to Season Two regular, vigilante vampire hunter Charles Gunn in the interesting “War Zone” and Lindsey gets to show he’s capable of having a conscience in “Blind Date”.

Season finale “To Shanshu In LA” ends the season on one hell of a strong note with both Cordelia and Wesley attacked by Vocah, the Oracles who’ve recurred throughout the season are slain, the office blows up to bits, Lindsey loses a hand, a prophecy reveals the possibility of Angel becoming human and Wolfram And Hart who have designs on Angel gets their own little victory when their plot to raise Darla from the dead is a complete success but not without it’s own surprises. For those you who have recently been thriving on Doctor Who spin-off Torchwood, you need to see this series. Angel does what Torchwood is doing but somehow better. This debut season may run primarily on standalone format with the occasional arc but I guarantee you won’t be bored.

DVD EXTRAS: Disappointingly the first two seasons of Angel are the most lightest with the goods but there are good and these include two pretty enthusiastic commentaries for “City Of” (Joss Whedon/David Greenwalt) and “Room With A View” (Jane Espenson) on the first two discs. Disc 3 has a “Season One Feature” as well as standard trailer for the first season on VHS, Cast biographies and a neat Art gallery. Disc Five has reasonably hard to navigate scripts for the excellent “Five By Five” and “Sanctuary”, while the final disc has more satisfying features like “Introducing Angel”, “I’m Cordelia” and “The Demons” where cast and crew discuss various people and the making of the series.

EPISODE RATING FROM 1 TO 10:

1x01: City Of = 9/10, 1x02: Lonely Hearts = 7/10,
1x03: In The Dark = 6/10, 1x04: I Fall To Pieces = 5/10,
1x05: Room With A View = 7/10, 1x06: Sense And Sensitivity = 6/10,
1x07: The Bachelor Party = 6/10, 1x08: I Will Remember You = 10/10,
1x09: Hero = 9/10, 1x10: Parting Gifts = 7/10,
1x11: Somnambulist = 9/10, 1x12: Expecting = 7/10,
1x13: She = 8/10, 1x14: I’ve Got You Under My Skin = 7/10,
1x15: The Prodigal = 9/10, 1x16: The Ring =6/10,
1x17: Eternity = 7/10, 1x18: Five By Five = 10/10,
1x19: Sanctuary =9/10, 1x20: War Zone = 7/10,
1x21: Blind Date = 8/10, 1x22: To Shanshu In LA = 9/10.

Season One is currently available on both VHS and DVD.

Jessica Alba news

Jessica Alba Broadway Bound? Mamet Play Courts Starlet

Wednesday Nov 7 | via The Huffington Post

Jessica Alba may be following in Madonna's footsteps. The sexy star of "The Fantastic Four" is being courted to star in a Broadway revival of David Mamet's "Speed-the-Plow" in the spring.

Jessica Alba 'Fed Up' With Blockbuster Roles

Posted by roboblogger on Saturday Nov 3 | via The Post Chronicle

“I've definitely had to fight in the film industry and I'm going to change a lot of things in my career. I'm waiting to just do little movies with meaning to me with great directors. "That's going to be my driving force now. It's totally different.”

Jessica Alba 'Fed Up' With Blockbuster Roles by Staff Actress Jessica Alba regrets accepting blockbuster movie roles and vows to dedicate her time to more "meaningful" film parts.

Jessica Alba is a Nevernude

Friday Nov 2 | via CelebNewsWire

November 1, 2007 at 10:59AM Jessica Alba is a Nevernude It's rather apropos that Jessica Alba is looking quite comfortable in those cutoffs to the left. via CelebNewsWire

No Jessica Alba Nude Scenes Any Time Soon

Wednesday Oct 31 | via Egotastic!

Why? Because she's a Catholic, that's why. And while she doesn't seem to have a problem living in sin with a cheating boyfriend, she draws the line at getting naked on screen, according to CinemaBlend .

Privacy Policy for Jessica Alba latest hairstyles

If you require any more information or have any questions about our privacy policy, please feel free to contact us by email at kedarah@hotmail.com.

At Jessica Alba latest hairstyles, the privacy of our visitors is of extreme importance to us. This privacy policy document outlines the types of personal information is received and collected by Jessica Alba latest hairstyles and how it is used.

Log Files
Like many other Web sites, Jessica Alba latest hairstyles makes use of log files. The information inside the log files includes internet protocol ( IP ) addresses, type of browser, Internet Service Provider ( ISP ), date/time stamp, referring/exit pages, and number of clicks to analyze trends, administer the site, track user’s movement around the site, and gather demographic information. IP addresses, and other such information are not linked to any information that is personally identifiable.

Cookies and Web Beacons
Jessica Alba latest hairstyles does use cookies to store information about visitors preferences, record user-specific information on which pages the user access or visit, customize Web page content based on visitors browser type or other information that the visitor sends via their browser.

Some of our advertising partners may use cookies and web beacons on our site. Our advertising partners include Google Adsense, Clickbank, .

These third-party ad servers or ad networks use technology to the advertisements and links that appear on Jessica Alba latest hairstyles send directly to your browsers. They automatically receive your IP address when this occurs. Other technologies ( such as cookies, JavaScript, or Web Beacons ) may also be used by the third-party ad networks to measure the effectiveness of their advertisements and / or to personalize the advertising content that you see.

Jessica Alba latest hairstyles has no access to or control over these cookies that are used by third-party advertisers.

You should consult the respective privacy policies of these third-party ad servers for more detailed information on their practices as well as for instructions about how to opt-out of certain practices. Jessica Alba latest hairstyles's privacy policy does not apply to, and we cannot control the activities of, such other advertisers or web sites.

If you wish to disable cookies, you may do so through your individual browser options. More detailed information about cookie management with specific web browsers can be found at the browsers' respective websites.

---

My Review of Doctor Who's: "Ghost Light"

Written by Marc Platt
Directed by Alan Wareing

The Doctor: “Who was it that said Earthmen never invite their ancestors round to dinner?”

To be honest out of all the serials of the original Doctor Who, this might be one of the most confusing but wonderful ones I’ve had the pleasure of buying. There’s the right element of creepiness, further explorations into the successful Seventh Doctor and Ace dynamic and it wisely runs for the length of three episodes.

The Doctor and Ace finds themselves in a creepy mansion back in the latter’s hometown of Perivale but it’s not long before it’s established that the house in questions is under some creepy control of Josiah Samuel Smith who has managed to put everyone else living in that house under his control.

The Doctor is keen to find out what exactly is going on in this mystery house but Ace is a lot less enthusiastic about this particular. One thing that was a constant with Ace is that unlike some of her predecessors, the writers here had a great interest in vocalising her more than ever.

It’s part of Ace’s general appeal. After the largely passive Peri and somewhat annoying Mel, Ace became the kind of companion we’ve seen in the past. Her thoughts, reactions, feelings and more importantly her own past became paramount in her overall characterisation.

The final season of Doctor Who gave us two serials that were often more Ace’s character growth and facing up to her past rather than The Doctor or even the monsters that inhabited these serials. “Ghost Light” is the first one to really hit that home when halfway through the story it’s revealed that Ace has a history with this creepy house.

In 1983 Ace had visited this place and felt an evil presence which obviously scared her enough to openly argue with The Doctor about leaving this mystery well alone. It was also this creepy presence that had Ace burn the place to the ground so visiting it 100 years prior to her little bout of arson seemed anything but therapeutic.

Another plus point for this episode is putting the action into the year 1883 and taking the normally tomboy dressed Ace and shoving her into a more feminine attire. Sophie Aldred happens to be one of those understated beauties and Ace is particularly gorgeous in the dress she spends most of this serial in.

The real villain of the episode however Josiah is a suitably nasty piece of work. Controlling everyone in the house means that both The Doctor and Ace finds themselves in battle a good few times. Ace herself even gets to have a bit of girl fight with both a manipulated Gwendoline and Mrs Pritchard, the latter of whom is a calculating madam to put it mildly.

There are many surprises that this serial tends to offer. One of them being the fact that a spaceship is hidden beneath the cellar with something hidden in that. That is later revealed to be an alien that came to Earth to collect various samples, which even included a Neanderthal but after doing that the alien in question then decided to slumber.

Of course there are also two alien forces in this story and both of them have their own agendas. Control is the one with its desire to become a lady and Sharon Duce gives off the vibe that she had a lot of fun such an unstable but in some ways arguably less destructive alien menace.

With so many twists in this serial, it’s almost hard to keep up with everything really. The mansion has sympathetic characters in Gwendoline, Inspector Mackenzie and a butler with the neat little name of Nimrod as well as the nasty characters in Mrs Pritchard, Josiah and the other alien menace – Light.

Well part of this episode title had to play into things and having the baddie called Light is a nice enough twist for me. Light kills both Mrs Pritchard and Gwendoline (after it’s revealed their mother and daughter) in a failed attempt to stop evolution and Josiah goes on his own rampage.

However the defeat for both of them feels a little easy compared to all the complexity that we’ve had to go through. Smith winds up becoming a prisoner on the alien ship inside the mansion and Light is bested by The Doctor’s emphasis on how futile it would be to try and stop evolution.

With both Fenn Cooper and Nimrod doing a bit of space exploring, the only other was Ace facing up to her past history with the house. She doesn’t exactly thank The Doctor for placing her in this situation but she’s smart enough to realise that he’s got a point and by the end of the story, she does seem to be able to lay her own ghosts to rest so to speak.

Also in “Ghost Light”

As usual there were other titles that this serial could’ve gotten such as “The Bestiary” and “Life-Cycle”.

Reverend Matthews: “I see that all the stories about you are true. You have no shred of decency. Even parading your wantons in front of your guests.”
Ace (to The Doctor): “Does he mean me, professor?”
Reverend Matthews: “I have it. This is some experiment related to your mumbo jumbo theories. Perhaps she’ll evoke into a young lady.”
Ace: “Who are you calling ‘young lady’ bug-brain?”

This episode had a lot of surreal images what with the house, the guests and the plethora of stuffed animals on display also.

The Doctor: “Let me guess. My theories appal you, my heresies outrage you, I never answer letters and you don’t like my tie.”

Ace: “There must be things you hate.”
The Doctor: “I can’t stand burnt toast. I loathe bus stations full of lost baggage … and then there’s unrequited love, and tyranny, and cruelty.”

Although this was the second serial to be screened in Season 26, it’s interesting that this was however the last one that was actually filmed.

Gwendoline: “I think Mr Matthews is confused.”
The Doctor: “Never mind. I’ll have him completely bewildered by the time I’m finished.”

Ace: “Scratch the Victorian veneer and something nasty will come crawling out.”
Josiah: “You and The Doctor thought you could get the better of me but I’ll see him squirming yet.”

I noticed that we got one fun dinner scene in this serial where Ace joked about ordering in a curry to The Doctor’s disdain.

The Doctor: “It’s asleep downstairs and Josiah doesn’t want it awoken.”
Ace: “Maybe that’s a good idea. Maybe it should be left alone. Professor, just this once.”
The Doctor: “It’s very, very old, perhaps even older. Just one quick chat?”

Inspector Mackenzie: “And who are you?”
The Doctor: “I wouldn’t want to confuse you.”

The fight scene between both Ace and Gwendoline did look a little homoerotic. I recently found this site that noted anything on Doctor Who that could be considered “gay” and this was one of those things. Watching that fight again, I have to admit that I agree.

Light: “Earth! Why mention that wretched planet to me?”
Ace: “If you don’t like it then bug off.”

Ace (re the mansion): “I wish I had blown it up instead.”
The Doctor: “Wicked.”

This came out on DVD in 2004, with a decent selection of extras but the commentary with Sophie Aldred, Andrew Cartmel, Marc Platt and Marc Ayres is really good.

Confusion aside, this is an exceptional story. “Ghost Light” boasts the right length, has enough creepiness to surpass the somewhat naff looking monsters and making it both a period setting and incorporating some of Ace’s own personal history with the mansion only heighten the story. One of the series strongest episodes but also rather underrated too.

Rating: 9 out of 10.

Buffy The Vampire Slayer - Season 7 Review

US Airdate on UPN: 24^th September 2002-May 20^th 2003

The smash hit comes to a conclusion as Buffy learns the Slayer lineage has been dramatically altered with The First Evil and a horde of other nasty types take advantage of this. Elsewhere Spike and Willow go through the motions in overcoming past misgivings, Dawn proves to be useful as Xander and Anya are tertiary and Andrew just damn annoying. Also we get more of Giles and a mysterious newcomer named Robin Wood.

Last Dance: Ah, seven years of a hit TV series and coming up with an ending to satisfy all those loyal viewers and critics alike can’t be an easy feat and while this season has some flaws, Season Seven puts up more than a good fight to end Buffy as the iconic and influential series it was rather than a shadow of it’s former self.

You may disagree as certain things don’t even please me but a season that opens with an episode as invigorating as “Lessons” is starting things off pretty well. Let’s see – in England we have Giles getting Willow to control her magic and use it positively because unlike drugs, magic is a part of Willow internally and isn’t something she can walk away from. In Sunnydale, we have a mysterious young lady killed by a group of Bringers as Buffy and Dawn muse over the reopening of the newly rebuilt Sunnydale High.

If ever there was a season opener that perfectly sets up events, “Lessons” is that very episode. Seeing the new Sunnydale High is good for sentiment value but having a likeable but shady looking principal there along with three disgruntled ghosts who Buffy once failed to save terrorising Dawn and her friends while a crazed Spike is goaded by The First Evil, who makes it’s reintroduction more significant by morphing into every single Big Bad in the previous six seasons as well as the Slayer (well, Buffy is technically a reanimated corpse) is definitely a stunning moment like no other and contrary to popular opinion, this season doesn’t necessarily lack in mind blowing or stunning moments.

Nope even the second episode “Beneath You” saw the Scoobies deal with a worm like beast as Spike and Anya scrapped in the Bronze and Buffy learned in an interesting way that Spike has a soul. If there is a gripe with this storyline, it’s probably the horrible way in which the writers skim over the fact Spike nearly attempted to rape Buffy and the Slayer’s insistence to all and sundry through out the season that Spike is the most important fighter on her team. Um, Buffy, you’ve won plenty of battles without Spike, just because the writers love James Marsters doesn’t mean, Spike is your strongest fighter. However, I would say Willow was much more needed.

Willow’s return in the third episode “Same Time, Same Place”, one of the few weak episodes in the season is nicely touched upon. I like that she’s repentant for turning on her friends but I wish we had more emphasis on her grief over Tara. Seeing her at Tara’s grave in “Help” is sweet but why not have counselling or even have the Scoobies express more concern over Tara’s death. I guess when all is said and done; I miss Tara and still can’t used to not seeing her with the Scoobies. For some reason it doesn’t feel right her not being there especially when they are less interesting character in the Scooby core this season and you can’t help but not miss Amber Benson’s screen presence either. In fact, barring a few references here and there, Tara is the first dead character on this show who doesn’t pop up whatsoever, making Amber’s departure from the show more effective and painful too.

Luckily the somewhat likeable Anya is given one significant outing before spending the rest of the season in the background with Xander and it comes in the wonderful flashback episode “Selfless” which puts a nice end to the Vengeance Demon arc and also shows that Willow isn’t totally out of the woods as well, regarding her dark side.

Dawn then got a rethread episode with the fairly amusing “Him” (“Bewitched, Bothered And Bewildered” anyone?) Before the arc with The First Evil went somewhere with the breathtaking “Conversations With Dead People”. One of favourite episodes of all time, The First moves in on getting Spike to kill and issuing Willow a dire warning while Dawn violently interacts with Joyce and Buffy unleashes her emotional baggage for the past seven years on a random vampire. Not even the terminally detestable Andrew killing Jonathan can deter the brilliance of this powerful tour de force.

The next three episodes after that – “Sleeper”, “Never Leave Me” and “Bring On The Night” were then mandatory viewing. After all – how could The First be controlling Spike into killing people and why does it want him? Spike’s a pretty powerful vampire but he ain’t exactly the kind of guy you want if your goal is Armageddon. Still though, it’s interesting to see Buffy and company try and lose Spike as the Watchers Council is blown to smithereens, a nasty ubervamp reducing Buffy to a pulp, The First mind fucks some more with Spike, the irritant known as Andrew becomes a regular fitting, Principal Wood continues to get darker and hey, Giles turns up with Potential Slayers.

Yes, here is our arc and ultimately The First Evil’s real goal – to balance the scales between evil and good in the former’s favour and because the Scoobies raised Buffy from the dead, the balance is now disjointed and potentials are being called everywhere and when they’re not being killed by The First and it’s many allies, then it’s up to Buffy and the Scoobies to protect them and train them for the biggest battle in everyone’s lives.

The stinker with the Potentials is that most of them are kind of annoying, nearly all of them (bar the most loathed by viewers – Kennedy) aren’t exactly proactive and Buffy wastes too much time giving them speeches than really preparing them, so you do actually wonder how the hell she’s gonna win against The First anyway.

With only two real potentials given a personality – Dawn’s friend Amanda and Kennedy, you don’t become as emotionally invested as possible and with Andrew mostly coming out with lame geek jokes, it’s annoying that Xander, Anya, Dawn and at times, even Giles have to suffer as a result. They are the people I wanted more screen time for, not just the newcomers.

Kennedy is a character who didn’t sit well with viewers and while her and Willow aren’t anyway as interesting as Willow and Tara, their hook up episode “The Killer In Me” is a series best and even removes Spike’s chip during Iyari Limon’s only showcase episode. Kennedy and Willow are more or less the Buffy/Riley to this season. It’s interesting to a degree but if this show had gotten another season, these two ultimately wouldn’t be together.

Moving away from the Slayer angle, it’s nice to see some interpersonal dynamics between people as Giles’s annoyance over Buffy’s attitude with Spike and Robin’s seething hatred for the blond vampire are ripe in execution. Giles is right though – Buffy is being too laissez fair with Spike (who spends most of the season in bondage and bleating about his soul – dude I get it!) and hey, once we learn that Wood’s mother was Nikki, the subway Slayer Spike offered in New York, I was more than sympathise with the man and his and Giles’ half-hearted way of getting Spike out of the way in the excellent “Lies My Parents Told Me” (pity Drusilla’s final Angel episode wasn’t anywhere near as good as this). I wouldn’t exactly have a welcome mat out for the man who would hurt, never mind kill my mother either. Before those episodes though, we were treated to a brilliant Slayer origin tale in “Get It Done” and Andrew proved slightly useful in “Storyteller”, though why they didn’t kill him in that episode, I’ll never know.

The final five episodes however are important. Spending most of the season having potentials offed by Ubervamps, Bringers and The First while the Seal of Danzelthar wrecked all kinds of havoc was fine to a point. It had to get worse before getting better and The First had one more ace up his sleeve with arrival of misogynist preacher named Caleb, played to perfection by Firefly’s Nathan Fillion. Bringing someone this late in the game meant that Caleb had to make a big impression and removing the eye of one of the Scoobies (poor Xander) while battering Buffy and offing a few more potentials definitely made Caleb an effective baddie (I think that definitely means that Adam/The Initiative were by far the least effective in the series).

“Dirty Girls” was an excellent debut for Caleb and a more than welcome return for Eliza Dushku’s rogue slayer Faith but “Empty Places” finally saw the Scoobies reassess Buffy’s actions and put Faith in the role of leader, one that even Faith admitted she was out of her depth. With so much action in the last few weeks, we needed one more quiet episode and the sex heavy “Touched” serviced that need as “End Of Days” saw a return from Angel and Buffy finally get one up on Caleb as she reclaimed her role of leader.

“Chosen” was then the deciding factor. In a season of too many speeches, potentials, Spike overload, annoying Andrew and a lack of communication with the Scoobies in later episodes, could this episode see the show go out in a blaze of glory or nasty smell in the air? Who am I kidding – this episode rocked! Sure “Becoming” and “The Gift” are way better but Joss Whedon ended this series on such a euphoric high that even Anya’s anticlimactic death, the spoiler of Spike joining Angel and Andrew surviving weren’t enough to break away the joy. Plus I loved the battle inside the Hellmouth (though why every single baddie Buffy and the Scoobies have destroyed wasn’t in there I’ll never know) but while she may have stopped The First, with help from her friends and Wolfram and Hart, you do wonder whether or not Buffy actually won. I mean evil still exists out there and while Buffy is now just a Slayer, rather than the Slayer, it’s still a topical question. Either way this episode reinforced everything I loved about the show.

DVD EXTRAS: It’s the last season so the extras really did need to be good and like all the previous releases, they’re quality stuff. Commentaries on hand included Joss Whedon and David Soloman for “Lessons”, though Solomon is more interesting when he assists Drew Goddard for “Selfless”. “Conversations With Dead People” boasts the most comments with Goddard, Jane Espenson, director Nick Marck and actors Danny Strong and Tom Lenk. The best one is for “The Killer In Me” as Drew Greenberg seems to be drawing on personal experience when writing the Willow/Kennedy material. Drew Goddard is a consistent commentator and he’s back to aid the likes of James Marsters and D.B Woodside for “Lies My Parents Told Me” as well as Nicholas Brendon for “Dirty Girls” as Joss Whedon rounds up everything in his anecdotes for “Chosen”. Other delights include the “Season Seven Overview”, “Buffy 101: Studying The Slayer” (one for media students everywhere), “Generation S” (dedicated to the potentials), “The Last Sundown” (Joss’ Top 10 episodes – I have at least 50), a look at the wrap party and some meh outtakes. Disc 1 contains a “Willow Demon Guide”, 12 trailers (mostly for other seasons of Buffy/Angel on DVD) and a neat dedication to the fans called “Buffy: It’s Always Been About The Fans”. A couple of deleted scenes wouldn’t have gone amiss or a commentary from Gellar, Head or Hannigan but hey, with extras this kick ass – who cares?

EPISODE RATING FROM 1 TO 10:

7x01: Lessons = 9/10, 7x02: Beneath You = 8/10,
7x03: Same Time, Same Place = 7/10, 7x04: Help = 8/10,
7x05: Selfless = 9/10, 7x06: Him = 7/10,
7x07: Conversations With Dead People = 10/10, 7x08: Sleeper = 8/10,
7x09: Never Leave Me = 8/10, 7x10: Bring On The Night =9/10,
7x11: Showtime = 7/10, 7x12: Potential =7/10,
7x13: The Killer In Me = 10/10, 7x14: First Date = 8/10,
7x15: Get It Done = 8/10, 7x16: Storyteller = 8/10,
7x17: Lies My Parents Told Me = 9/10, 7x18: Dirty Girls = 10/10,
7x19: Empty Places = 8/10, 7x20: Touched = 9/10,
7x21: End Of Days = 8/10, 7x22: Chosen = 10/10.

Season Seven is currently available on VHS and DVD.